Trinacria, The Three-Legged Symbol of Sicily

A handmade Sicilian wall plate featuring a Trinacria, the three-legged symbol of Sicily. Handmade in Caltagirone, Italy

The Trinacria, also known as Triskelion, is the familiar three-legged symbol of Sicily.

Everywhere you go in Sicily, you will see a Trinacria, the symbol of our beautiful island. And if you are tempted to bring one home, you’ll have plenty of choices, from sophisticated ceramic Trinacria wall plates from Caltagirone to inexpensive fridge magnets. Of course, we do hope that you’ll go for one of the stunning Sicilian pottery pieces handmade by local artists and artisans, such as Ghenos or Sofia.

Regardless of your choice, you may want to learn about the origin of the Trinacria and impress your fellow travelers with some captivating anecdotes about the origins of Sicily and its three-legged symbol.

Let’s explore the island’s myths and legends, one by one.

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Giacomo Alessi – 50 Ceramic Sculptures in London

Sept. 28 – Oct. 11, 2001
London, UK

Giacomo Alessi’s work celebrates the glorious past of Sicilian ceramics while going for its renewal.
A deep understanding of Caltagirone’s millennial tradition of pottery making combined with a profound love for the complex and fascinating art of creating a meaningful something out of wet clay is the secret of Alessi’s sculptures.

Along with his handcrafted production – famous throughout the world – Giacomo Alessi has also been making his own “private” works. He takes pride, rightful pride, in showing his collection to a few privileged friends. But art cannot be concealed or silenced… his visitors spread the news and Giacomo has rapidly won international recognition.

Manuela and I met Giacomo Alessi in Caltagirone in 2007. We were starting our fine Italian ceramics web store and Giacomo was probably the very first artist we invited to join our project. A hesitant “let’s try…” was enough for us to fly to Sicily and visit him in his workshop. Continue reading

Meeting Italian Ceramic Artists: Toti Taormina

A hot morning in Sicily. The road ran along one of the most fascinating beaches of the island, Baia Santa Margherita. A colorful signpost convinced me to turn into a narrow dirt road that seemed to point straight to a steep red mountain facing the Mediterranean Sea. After a while I saw on my right a brick hut with a shadowy porch: Toti Taormina’s studio lost in the middle of the fragrance and the colors of the Sicilian landscape.

There were people crowding the tiny wood-paneled “showroom”, where ceramics stood all over the place: on the floor, on the shelves, on coffee tables, hanging from the walls and the doors, inside and outside. In the middle of everything Toti himself, chatting with everybody at the same time. Continue reading