Salerno

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Cantagalli, the Scottish dimension

by Sheila Forbes

On 31 August 1880 Margaret Tod and Ulisse Cantagalli were married in the Roman Catholic Cathedral of St. Mary’s, Edinburgh, with Ulisse’s brother Romeo, and Margaret’s brother Robert, as witnesses. His Grace, John Menzies Strain, Archbishop of St. Andrews and Edinburgh, officiated, thereby establishing a permanent bond between the two fine cities of Edinburgh and Florence (SCA).

The Tods of Edinburgh
Margaret’s father was Robert Tod, Mill owner, a partner in Alexander & Robert Tod Ltd., Leith Flour Mills (NAS D76/1056), and a Leith Harbour and Dock Commissioner (NAS SC70/4/298).

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New Clays – Languages of the Young Italian Art Pottery

Dec. 19, 2008 – Jan. 30, 2009
Baronissi – Italy

An extraordinary exhibition Italian Ceramics - New Clays Exhibition in Baronissi (Salerno)has just been opened at the FRAC Baronissi – Regional Fund of Contemporary Art – that will feature the works of a new generation of artists who’ve chosen clay to express their Art.

Born in the Seventies and the Eighties, they represent what’s new in the technical and visual language of Italian ceramics. A unique initiative, indeed, since it builds on the differing Italian traditions – Deruta, Savona, Padova, Vietri, Faenza, Lucca, Urbino and Salerno among the others  – and techniques, which include a number of experiments with contemporary images and materials.

In his introduction to the event the director of the FRAC Baronissi says that the exhibition features a carefully selected sample of the languages and the practices used in modern Italian ceramic art. These languages preserve the lively cells of the valuable Italian heritage while participating in the contemporary art experiences and blending clay with other materials and creative processes. Italian pottery is therefore a language among other languages, all of them having in common imagination, creativity and a contemporary spirit.

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