{"id":234,"date":"2008-09-04T23:38:12","date_gmt":"2008-09-04T21:38:12","guid":{"rendered":"http:\/\/thatsarte.com\/blog\/?p=234"},"modified":"2022-07-13T18:44:52","modified_gmt":"2022-07-13T16:44:52","slug":"gubbio-honors-alan-caiger-smith","status":"publish","type":"post","link":"https:\/\/www.thatsarte.com\/blog\/highlights\/gubbio-honors-alan-caiger-smith\/","title":{"rendered":"Gubbio honors Alan Caiger-Smith"},"content":{"rendered":"<p><em><strong>Sept. 6, 2008 \u2013 January 11, 2009<br \/>\nGubbio, Italy<\/strong><\/em><\/p>\n<p>Alan<a title=\"Gubbio honors Alan Caiger-Smith\" href=\"https:\/\/www.thatsarte.com\/blog\/wp-content\/uploads\/2008\/09\/manifesto-acs-web.jpg\"><img loading=\"lazy\" class=\"alignleft size-medium wp-image-240\" title=\"Gubbio honors Alan Caiger-Smith\" src=\"https:\/\/www.thatsarte.com\/blog\/wp-content\/uploads\/2008\/09\/manifesto-acs-web-212x300.jpg\" alt=\"Gubbio honors Alan Caiger-Smith\" width=\"170\" height=\"240\" srcset=\"https:\/\/www.thatsarte.com\/blog\/wp-content\/uploads\/2008\/09\/manifesto-acs-web-212x300.jpg 212w, https:\/\/www.thatsarte.com\/blog\/wp-content\/uploads\/2008\/09\/manifesto-acs-web.jpg 356w\" sizes=\"(max-width: 170px) 100vw, 170px\" \/><\/a> Caiger-Smith ranks among the most important British ceramicists of the past half-century, definitely the most important living artist specializing in <a href=\"https:\/\/www.thatsarte.com\/0\/history-and-tradition#a2\" target=\"_blank\" rel=\"noopener\">lustre pottery<\/a>. His work is known in a number of museums, in Europe, USA and Australia.<\/p>\n<p>Gubbio is the home of the Italian lustreware thanks to the undisputed fame of <a href=\"https:\/\/www.thatsarte.com\/0\/history-and-tradition#a2\" target=\"_blank\" rel=\"noopener\">Mastro Giorgio Andreoli<\/a>, who settled here in 1498 and elaborated a lustre technique that was to become the Italian standard of excellence for Renaissance pottery and the times to come.<\/p>\n<p>Gubbio and Alan Caiger-Smith\u2019s paths crossed for the first time in 2005 when the British artist was invited to an international conference.<br \/>\nAs reported by Ettore Sannipoli, the curator of the exhibition about to start, Caiger-Smith had a positive sharing of experiences with the local potters. <a href=\"https:\/\/www.thatsarte.com\/handmade-italian\/artist\/ceramiche_rampini\" target=\"_blank\" rel=\"noopener\">Giampietro Rampini<\/a>, one of the best <a href=\"https:\/\/www.thatsarte.com\/handmade-italian\/region\/gubbio\" target=\"_blank\" rel=\"noopener\">Gubbio potters<\/a>, invited him to his workshop and the two of them worked together on some lusterware techniques.<\/p>\n<p>The exhibition \u201cGubbio honors Alan Caiger-Smith\u201d will feature 25 works from his last kiln firing in 2006 and some 30 pieces representing his artistic evolution.<!--more--><\/p>\n<p>The artist specifically<a title=\"Large bowl with amber-silver and copper-red vapoured lustre decoration, 1998 - Alan Caiger-Smith - Credits: www.catalogue-host.co.uk\" href=\"https:\/\/www.thatsarte.com\/blog\/wp-content\/uploads\/2008\/09\/acs1-web.jpg\"><img loading=\"lazy\" class=\"alignleft size-medium wp-image-238\" style=\"margin-top: 5px; margin-bottom: 5px;\" title=\"Large bowl with amber-silver and copper-red vapoured lustre decoration, 1998 - Alan Caiger-Smith - Credits: www.catalogue-host.co.uk\" src=\"https:\/\/www.thatsarte.com\/blog\/wp-content\/uploads\/2008\/09\/acs1-web-300x195.jpg\" alt=\"Large bowl with amber-silver and copper-red vapoured lustre decoration, 1998 - Alan Caiger-Smith - Credits: www.catalogue-host.co.uk\" width=\"240\" height=\"156\" srcset=\"https:\/\/www.thatsarte.com\/blog\/wp-content\/uploads\/2008\/09\/acs1-web-300x195.jpg 300w, https:\/\/www.thatsarte.com\/blog\/wp-content\/uploads\/2008\/09\/acs1-web.jpg 700w\" sizes=\"(max-width: 240px) 100vw, 240px\" \/><\/a> requested that his studio pieces be complemented by the works of Umbrian potters who are familiar with the Italian tin glazing technique so as to highlight how the lustre pottery has never ceased to charm the daring potter.<\/p>\n<p>Building on the magic of Number Three \u2013 the artist\u2019s three-letter acronym ACS, three Saints protecting Gubbio, and the symbolic repetition of number three in the Eugubine Tables &#8211; the exhibition will feature three works by three artists from Deruta, Gualdo Tadino and Gubbio, that is 27 works made in Italian towns where the lustre technique has always been a relevant symbol of the tradition of pottery making.<\/p>\n<p>Excellent potters have been invited to represent Umbria lustreware tradition:<\/p>\n<ul>\n<li>Giulio Busti, Patrizio Chiucchi\u00f9 and Marino Ficola from <a href=\"https:\/\/www.thatsarte.com\/handmade-italian\/region\/deruta\">Deruta<\/a><\/li>\n<li>Graziano Pericoli, Maurizio Tittarelli Bubboli and Ceramica \u201cVecchia Gualdo\u201d from Gualdo Tadino<\/li>\n<li>Lucia Angeloni, Katia Balzelli and Giampietro Rampini from <a href=\"https:\/\/www.thatsarte.com\/handmade-italian\/region\/gubbio\" target=\"_blank\" rel=\"noopener\">Gubbio<\/a>.<\/li>\n<\/ul>\n<p>A special section of the exhibition will honor the memory of Alan Peascod, the British-born Australian ceramicist who passed away in January 2007.<\/p>\n<p>Peascod had a very special relationship both with Caiger-Smith and with Gubbio.<\/p>\n<p>Pictures of his works were used by the British ceramicist and writer in<a title=\"Australian Baroque, 2002 - Alan Peascod - Credits:www.potteryinaustralia.com\" href=\"https:\/\/www.thatsarte.com\/blog\/wp-content\/uploads\/2008\/09\/peascod-plate-1-web.jpg\"><img loading=\"lazy\" class=\"size-medium wp-image-247 alignright\" style=\"margin-top: 5px; margin-bottom: 5px;\" title=\"Australian Baroque, 2002 - Alan Peascod - Credits: www.potteryinaustralia.com\" src=\"https:\/\/www.thatsarte.com\/blog\/wp-content\/uploads\/2008\/09\/peascod-plate-1-web-297x300.jpg\" alt=\"\" width=\"214\" height=\"216\" srcset=\"https:\/\/www.thatsarte.com\/blog\/wp-content\/uploads\/2008\/09\/peascod-plate-1-web-297x300.jpg 297w, https:\/\/www.thatsarte.com\/blog\/wp-content\/uploads\/2008\/09\/peascod-plate-1-web-150x150.jpg 150w, https:\/\/www.thatsarte.com\/blog\/wp-content\/uploads\/2008\/09\/peascod-plate-1-web.jpg 317w\" sizes=\"(max-width: 214px) 100vw, 214px\" \/><\/a> his renowned book <em>Lustre Pottery<\/em> to show the world the meaning and relevance of the lustre technique in the making of Art. Indeed Caiger-Smith happened to say that he had a very \u201cenjoyable exchanges of knowledge and working methods\u201d with Peascod, especially thanking him \u201cfor his dynamic approach to new possibilities of lustre technique and design\u201d.<\/p>\n<p>The exhibition will feature some of Peascod\u2019s tin-glazed ceramics, most of them made in Gubbio in the workshop of his friend Giampietro Rampini.<\/p>\n<p>The catalog of the exhibition is edited by Ettore Sannipoli, with a Preface by Timothy Wilson, Keeper of the Department of Western Arts of the Ashmolean Museum of Oxford with curatorial responsibilities of Decorative Arts (especially ceramics). The Ashmolean Museum holds an important collection of Italian pottery, including some pieces by Mastro Giorgio Andreoli.<\/p>\n<p><strong>Tribute to Alan Caiger-Smith<\/strong><br \/>\nPalazzo dei Consoli \u2013 Sala dell\u2019Arengo<br \/>\nGubbio<br \/>\nInfo: 0039 075 9220693<br \/>\nEmail: <a href=\"mailto:info@iat.gubbio.pg.it\">info@iat.gubbio.pg.it<\/a><\/p>\n<p>____________________________________________________________________________<\/p>\n<p><strong>Learn more about Alan Caiger-Smith<\/strong><\/p>\n<p>Alan Caiger-Smith was born in Buenos Aires, Argentina, in 1930. He went to England as an infant in 1932 where he studied Art and Crafts in Camberwell and trained in pottery at the Central School of Art &amp; Design in London.<\/p>\n<p>In 1955 <a title=\"Vase with copper-silver lustre and in-glaze blue decoration, with fluted body and tall neck, 2006 - Alain Caiger-Smith - Credits: www.catalogue-host.co.uk \" href=\"https:\/\/www.thatsarte.com\/blog\/wp-content\/uploads\/2008\/09\/acs3-web.jpg\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-252\" style=\"margin-top: 5px; margin-bottom: 5px;\" title=\"Vase with copper-silver lustre and in-glaze blue decoration, with fluted body and tall neck, 2006 - Alain Caiger-Smith - Credits: www.catalogue-host.co.uk \" src=\"https:\/\/www.thatsarte.com\/blog\/wp-content\/uploads\/2008\/09\/acs3-web.jpg\" alt=\"\" width=\"174\" height=\"233\" \/><\/a>he settled in Berkshire and established the world-famous Aldermaston Pottery in partnership with Geoffrey Eastop. Over the years the Pottery has been home to many fine potters, who worked both as a team, for production work, and individually, for studio pieces. The Pottery was renowned for its tin-glaze and porcelain wares.<\/p>\n<p>Alan Caiger-Smith ceased employing assistants in 1993 to concentrate on personal work and in 2006 announced his decision to sell the Aldermaston Pottery.<\/p>\n<p>The British ceramicist revived two virtually lost techniques: the use of tin glaze and painted pigments on red clay and the demanding technique of reduction-fired lustre pottery.<\/p>\n<p>His studio pieces are deeply influenced by Muslim and Eastern Art \u2013 large, calligraphic brush strokes and vegetal scrolls creating an interplay of decorative elements &#8211; which he originally combined with contemporary trends, among them the Arts and Crafts movement, the Art Nouveau Japanism and the informal Zen art.<\/p>\n<p>As a writer, he hugely<a title=\"Gypsy bowl in soft-red lustre, painted inside, outside and underneath, 1986 - Alain Caiger-Smith - Credits: www.catalogue-host.co.uk\" href=\"https:\/\/www.thatsarte.com\/blog\/wp-content\/uploads\/2008\/09\/acs2-web.jpg\"><img loading=\"lazy\" class=\"alignright size-full wp-image-258\" style=\"margin-top: 5px; margin-bottom: 5px;\" title=\"&quot;Gypsy&quot; bowl in soft-red lustre, painted inside, outside and underneath, 1986 - Alain Caiger-Smith - Credits: www.catalogue-host.co.uk\" src=\"https:\/\/www.thatsarte.com\/blog\/wp-content\/uploads\/2008\/09\/acs2-web.jpg\" alt=\"\" width=\"178\" height=\"202\" srcset=\"https:\/\/www.thatsarte.com\/blog\/wp-content\/uploads\/2008\/09\/acs2-web.jpg 424w, https:\/\/www.thatsarte.com\/blog\/wp-content\/uploads\/2008\/09\/acs2-web-265x300.jpg 265w\" sizes=\"(max-width: 178px) 100vw, 178px\" \/><\/a> contributed to the understanding and the application of the lustre technique.<br \/>\nHis book <em>Tin-Glaze Pottery in Europe and the Islamic World: The Tradition of 1000 Years in Maiolica, Faience and Delftware<\/em> (1973) traces the history and techniques of lustre ware and <em>Lustre Pottery: Technique, Tradition and Innovation in Islam and the Western World<\/em> (1985) is a real milestone in the knowledge of tin glazed pottery.<\/p>\n<p>He also co-translated and annotated <em>I Tre Libri Dell&#8217;Arte Del Vasaio (The Three Books of the Potter\u2019s Art)<\/em>, by Cipriano Piccolpasso, a detailed contemporary description of the materials and methods used in Italian pottery making during the Renaissance.<\/p>\n<p><strong>Learn more about Alan Peascod<\/strong><\/p>\n<p>Alan Peascod (1943-2007) is one of Australia&#8217;s most acclaimed ceramic artists, whose creativity has been widely recognized throughout the world.<\/p>\n<p><a title=\"Jess\u2019 Calf, 2004 - Alan Peascod - Credits:www.potteryinaustralia.com\" href=\"https:\/\/www.thatsarte.com\/blog\/wp-content\/uploads\/2008\/09\/peascod-plate-2-web.jpg\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-264\" style=\"margin-top: 5px; margin-bottom: 5px;\" title=\"Jess\u2019 Calf, 2004 - Alan Peascod - Credits: www.potteryinaustralia.com\" src=\"https:\/\/www.thatsarte.com\/blog\/wp-content\/uploads\/2008\/09\/peascod-plate-2-web.jpg\" alt=\"\" width=\"197\" height=\"200\" \/><\/a>His father, an abstract expressionist textural painting, influenced Alan&#8217;s creative interest that was soon stimulated by ceramics. In this field the artist was allowed to explore the relationship between surface and form that he translated in a rich visual and tactile density.<\/p>\n<p>His Art was widely influenced by past cultures and civilizations. He never stopped researching and his mind was always open to different and often challenging aesthetic ideas which, filtered by his unique artistic sensitivity, resulted in a richness and breadth of work rarely seen.<\/p>\n<p>A milestone in his creative process was his meeting with Said el-Sadr, an Egyptian who was experimenting with reduced lustre ceramics in 1972. His interest in tin glazes eventually led Peascod to travels in Iran, Iraq, Egypt, Turkey, Spain and Europe to study Islamic ceramics.<\/p>\n<p><a title=\"Jar, 1984 - Alan Peascod - Credits:www.potteryinaustralia.com\" href=\"https:\/\/www.thatsarte.com\/blog\/wp-content\/uploads\/2008\/09\/peascod-jar-web.jpg\"><img loading=\"lazy\" class=\"alignright size-full wp-image-273\" title=\"Jar, 1984 - Alan Peascod - Credits: www.potteryinaustralia.com\" src=\"https:\/\/www.thatsarte.com\/blog\/wp-content\/uploads\/2008\/09\/peascod-jar-web.jpg\" alt=\"\" width=\"165\" height=\"250\" \/><\/a>In his words, \u201cHow serendipitous, how chancy our meeting was! It leaves me breathless to think that in the space of a few moments the direction of my creative life altered entirely. This meeting with him had possibly the greatest single impact on my entire career. If we had not met I am sure my work would have lacked the dimension it gained in my later career thanks to Said\u2019s teaching and my exposure to quite lateral, quite different points of view.\u201d<\/p>\n<p>He was both emotionally and intellectually seduced by the Muslim ancient value systems and by their creative achievements, whose beauty of images and inspired use of color he found to be as great as the humility of the potters and artists.<\/p>\n<p>Islamic Art taught him that learning the details of a specific technique to exactly repeat it is not, in essence, important: certainly less important than imagination.<br \/>\nAs a consequence not technology but attitudes towards material behaviour before and during firing enable the artists to develop their unique artistic identity.<\/p>\n<p>He thus challenged many widely accepted practices and became a world authority on a range of new techniques and materials that have now become commonplace throughout the ceramics world, including firing techniques, lustre and dry glazes.<\/p>\n<p>He also published a number of articles surrounding his research as well as giving students the benefit of his extensive knowledge.<\/p>\n<p>Alan&#8217;s influence can be seen in many ceramic artists&#8217; work today, having taught some 30 years in Australia and overseas.<\/p>\n<p>Peascod was also a tireless traveler, not only in Middle East but also in Europe, where he worked with potters, exchanging ideas and techniques and seeking to understand attitudes and philosophies.<br \/>\nHe regarded the lustre field as a highly potential platform for collaborative activity with artists in other countries.<\/p>\n<p>In 1999 he traveled to Gubbio, the place where lusterware had its more skilled artist, Mastro Giorgio. Here he met the renowned <a href=\"https:\/\/www.thatsarte.com\/handmade-italian\/artist\/ceramiche_rampini\" target=\"_blank\" rel=\"noopener\">Italian potter Giampietro Rampini<\/a> and worked with him on a major project analyzing 16th century lustre sherds. When this research began, Peascod became deeply interested in Renaissance majolica methods and started to experiment on them.<\/p>\n<p>In<a title=\"Alan Peascod in Giampietro Rampini Studio - Gubbio, 2002 - Credits: Ceramiche Rampini\" href=\"https:\/\/www.thatsarte.com\/blog\/wp-content\/uploads\/2008\/09\/peascod-2-web.jpg\"><img loading=\"lazy\" class=\"size-medium wp-image-266 alignleft\" style=\"margin-top: 5px; margin-bottom: 5px;\" title=\"Alan Peascod in Giampietro Rampini Studio - Gubbio, 2002 - Credits: Ceramiche Rampini\" src=\"https:\/\/www.thatsarte.com\/blog\/wp-content\/uploads\/2008\/09\/peascod-2-web-300x225.jpg\" alt=\"\" width=\"210\" height=\"158\" srcset=\"https:\/\/www.thatsarte.com\/blog\/wp-content\/uploads\/2008\/09\/peascod-2-web-300x225.jpg 300w, https:\/\/www.thatsarte.com\/blog\/wp-content\/uploads\/2008\/09\/peascod-2-web.jpg 640w\" sizes=\"(max-width: 210px) 100vw, 210px\" \/><\/a> 2002 he was invited to Gubbio by Giampietro Rampini and accepted the challenge to create his personal version of the <a href=\"https:\/\/www.thatsarte.com\/blog\/highlights\/umbria-pottery-gubbio\/\" target=\"_blank\" rel=\"noopener\">Brocche dei Ceri<\/a>, then featured in the exhibition Brocche d\u2019Autore. A solo exhibition of his works was organized in the same year in Gubbio.<\/p>\n<p>Peascod worked, did residencies and gave lectures and workshops internationally. His work is held in public collections in China, Spain, Germany, New Zealand and Italy as well as in Australia and in addition to those countries he exhibited in England, Canada, Switzerland, Japan and the USA.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sept. 6, 2008 \u2013 January 11, 2009 Gubbio, Italy Alan Caiger-Smith ranks among the most important British ceramicists of the past half-century, definitely the most important living artist specializing in lustre pottery. His work is known in a number of museums, in Europe, USA and Australia. Gubbio is the home of the Italian lustreware thanks [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v17.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Gubbio honors Alan Caiger-Smith - thatsArte.com<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.thatsarte.com\/blog\/highlights\/gubbio-honors-alan-caiger-smith\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Gubbio honors Alan Caiger-Smith - thatsArte.com\" \/>\n<meta property=\"og:description\" content=\"Sept. 6, 2008 \u2013 January 11, 2009 Gubbio, Italy Alan Caiger-Smith ranks among the most important British ceramicists of the past half-century, definitely the most important living artist specializing in lustre pottery. 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