{"id":1337,"date":"2010-08-28T09:14:11","date_gmt":"2010-08-28T07:14:11","guid":{"rendered":"http:\/\/thatsarte.com\/blog\/?p=1337"},"modified":"2022-07-13T18:58:43","modified_gmt":"2022-07-13T16:58:43","slug":"evolution-art-revolution-a-new-frontier-in-ceramic-art","status":"publish","type":"post","link":"https:\/\/www.thatsarte.com\/blog\/highlights\/evolution-art-revolution-a-new-frontier-in-ceramic-art\/","title":{"rendered":"Evolution Art Revolution – a new frontier in Ceramic Art"},"content":{"rendered":"

Starting Sept. 2, 2010 in Paris, then on tour around the world until 2014<\/em><\/strong><\/p>\n

\"Italian<\/a>This event is meant to be an earthquake for (Italian) art and artistic ceramics, a powerful and meaningful attempt to change the course of its currently uneventful history \u2013 we\u2019re open for discussion on this statement. Send in your comments!<\/p>\n

We received the press release of the exhibition a few weeks ago from Nicola Boccini, founder of the CLS (Free Experimental Ceramics Association) and the creator of this extraordinary event. We grasped that something important was going on and we refused to publish it as is, meaning without first hand info and more clues on what the revolution was.<\/p>\n

Yesterday we had a long talk with Nicola Boccini. Now we are definitely ready to tell you all about Evolution art \/r\/<\/span>evolution.<\/p>\n

<\/p>\n

The exhibition<\/span>
\n<\/span><\/strong>It\u2019s an avant-garde multi-media event featuring the works of twelve International ceramic artists (the Group) who have challenged the limits of the medium. Their Art is experimental and their works are the end result of sophisticated investigations of new techniques, shapes and materials.<\/p>\n

What is the<\/span> <\/strong>\/r\/<\/span>evolution about?
\n<\/span><\/strong><\/p>\n

\"Italian<\/a><\/p>\n

Experimentalism and new technology go hand in hand in the work of the artists. Once crossed the borders of Aesthetics to explore materials and techniques with an open-minded enthusiasm and creativity, the results can be stunning and actually surpass the limits of Art for Art\u2019s sake and land straight in the area of design, high tech and (surprise!) mass market.<\/p>\n

Indeed, the Group led by Nicola Boccini will present four new \/r\/<\/span>evolutionary techniques that will impact the way we think about ceramics.<\/p>\n

Nicola likes to start his list of new techniques from those that have already found an experimental application in fashion. Two fashion designers accepted the challenge and worked side by side with the Group to create objects made with their innovative materials.<\/p>\n

#1 \u2013 Fluorescent ceramic<\/span>
\n<\/strong><\/em>Gaia Pace, a former Gianfranco Ferr\u00e9 and Christian Dior fashion designer now running her own business, has designed and hand-sewn an evening dress entirely made of thin layers of a special fluorescent ceramic. Beautiful under daylight, it\u2019s really breathtaking in the dark. Models and actresses will wear it during the art exhibition tour.<\/p>\n

#2 \u2013 Porcelain & light<\/span><\/strong><\/em>
\nAlisa Dumas, the pseudonym of an industrial designer working with global fashion brands, has designed porcelain evening bags. They are lightened from within and they are even rechargeable!<\/p>\n

#3 \u2013 Porcelain just like majolica (porcellana maiolicata)
\n<\/span><\/strong><\/em>The Group will present a new technology that makes it possible to apply on porcelain the same decoration techniques now used on earthenware. Two porcelain panels will be displayed, where Maestro Romano Ranieri has painted traditional designs, that \u2013 until now \u2013 can normally be painted on red or white biscotto only, because of their color palette, shades and chiaroscuro effects.<\/p>\n

#4 \u2013 Porcelain veins<\/span><\/strong><\/em>
\nThe veins of Boccini\u2019s porcelain panels are made with thin metal wires, that sparkle with light or bring heat to the artwork, but promise also to become innovative products in the hands of industrial design companies.<\/p>\n

The Group<\/span>
\n<\/strong>Giuseppe Agamennone, Nicola Boccini, Ricky Boscarino, Francky Criquet, Marino Ficola, Przemyslaw Lasak, Pierluigi Pompei, Romano Ranieri, David Roberts, Malgosia Turlo, and two fashion designers GaiaPace and Alisa Dumas.<\/p>\n

A long journey\u2026<\/strong>
\n<\/span>The exhibition ideally starts from Deruta, the place where Boccini and other artists of the Group live and work, where the CLS was founded, and where so many contributions have been made to the history of ceramics.<\/p>\n

The grand opening will be in Paris at the \u201cSelective Art\u201d gallery on Sept. 2. Synergies are expected with the upcoming 44th General Assembly of the International Academy of Ceramics (AIC) that will start on Sept. 13th, with the theme \u201cTerritories in Movement\u201d.<\/p>\n

Then the exhibition will move to the National Gallery of Gdansk, in Poland, from January to March 2011 (curator Wojciech Bonislawski). The artists are currently planning to run some multi-media experiments with ceramics (theatre, music, ?) near the Green Gate.<\/p>\n

On January 20th, 2011, in Gdansk, the Group will sign its official “MANIFESTO”. The expectation is very high: we can\u2019t wait to read it!<\/p>\n

Next, the exhibition will hopefully be hosted in Umbria, before a long journey around the world that is still to be defined in its details. Will it ever come back to Deruta? We do hope so. It would mean that the town is ready to move ahead, following the \/r\/<\/span>evolutionary paths suggested by the Group to go for a real re-foundation of the Deruta pottery-making\u00a0culture<\/a> and economy\u2026<\/p>\n

Nicola is very excited about this great event, and rightly so. It\u2019s still very much under construction, yet it promises to be a hit.
\nAs he puts it, it\u2019s “a radical change in the way of understanding art pottery,\u00a0 an attempt to unfold a personal moment of reflection in positive, using the universal language of emotions that are revealed through forms, techniques and colors of art. ”<\/p>\n

We\u2019ll keep our readers posted on the development of the exhibition. If you have questions, feel free to ask. Contacts with Galleries and Museums are also welcome.<\/p>\n

From Sept. 2nd<\/strong>
\nSelective Art Gallery
\n57 Quai des Grands Augustins
\nParis, France
\nparis@selective-art<\/a><\/p>\n

From January 20th, 2011<\/strong>
\nNational Gallery of Gdansk (Muzeum Narodowe w Gda\u0144sku)
\nOddzia\u0142 Sztuki Dawnej
\nul. Toru\u0144ska 1, (Green Gate)
\nGdansk, Poland
\ninfo@muzeum.narodowe.gda.pl<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Starting Sept. 2, 2010 in Paris, then on tour around the world until 2014 This event is meant to be an earthquake for (Italian) art and artistic ceramics, a powerful and meaningful attempt to change the course of its currently uneventful history \u2013 we\u2019re open for discussion on this statement. Send in your comments! We […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[4,1],"tags":[272,8,7,37,29,182,274,42,28,273,275,9,252],"yoast_head":"\nEvolution Art Revolution - a new frontier in Ceramic Art - thatsArte.com<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.thatsarte.com\/blog\/highlights\/evolution-art-revolution-a-new-frontier-in-ceramic-art\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Evolution Art Revolution - a new frontier in Ceramic Art - thatsArte.com\" \/>\n<meta property=\"og:description\" content=\"Starting Sept. 2, 2010 in Paris, then on tour around the world until 2014 This event is meant to be an earthquake for (Italian) art and artistic ceramics, a powerful and meaningful attempt to change the course of its currently uneventful history \u2013 we\u2019re open for discussion on this statement. 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