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Gubbio Ceramics

Gubbio is a beautiful town of ancient origins. Its strategic position and the dominance of wealthy and politically important families during the Renaissance greatly contributed to the development of arts and crafts. At that time the fame of Gubbio pottery increased enormously, thanks to Mastro Giorgio’s lustre plates which are among the masterpieces of Italian Renaissance art  heritage. Gubbio ceramics have maintained over time their unique character and a strong attachment to traditional techniques and hand made details. The popular dragon and peacock designs and the awesome Gubbio dinnerware have a solid group of fans among pottery lovers and collectors.  


Gubbio's artists


Know more about Gubbio

The city’s origins are very ancient: as Ikuvium, it was an important town of the ancient Umbrian people in pre-Roman times, and is famous for the discovery there of the Eugubine (or Iguvine) Tables, a set of bronze tablets that together constitute the largest surviving text in ancient Umbrian.

The city has always had an important political and economic role in the area, as attested by its Roman theater, the second-largest surviving in the world, and the fair number of houses dating to the 14th and 15th centuries which were originally the dwellings of wealthy merchants.

Particularly relevant for the history of Gubbio was the dominance of Dukes of Urbino, who granted the city a long period of peace and set the basis for a strong artistic and civil development. It was under their dominance that the production of good quality majolica started and rapidly grew.

The fame of Gubbio ceramics is mostly due to Mastro Giorgio Andreoli and his brothers, Giovanni e Salimbene. Mastro Giorgio wall plate - 16th Century - Photo credit: National Gallery of Art, Washington, DC
The three brothers settled in Gubbio in 1498. In their bottega they elaborated a special lustre technique which allowed them to obtain exquisite golden and red iridescent effect on polychrome figurative majolica. The success was huge, despite the high prices and the limited production,  noblemen and wealthy merchants lined up to own one of Mastro Giorgio masterpieces.

The precious lustre technique was revived by the local artisans in the 19th century. The original recipe was lost and many experiments were carried out to obtain good results, although Mastro Giorgio masterpieces were new equalled.

Bucchero ware bowl - 630-600 BC - © Trustees of the British MuseumAt the beginning of the 20th century important studies on the Etruscan techniques allowed the production of an old ceramic artwork called “bucchero”. Beautiful, classically shaped pots and urns were created with a special firing method which turns the clay black. The surface of the pieces is shiny and metallic-looking because it is carefully polished before firing.

The Bucchero tradition is still alive in Gubbio, where we saw some beautiful pieces and met a couple of good artisans. Although coming straight from the Etruscan art, they perfectly match with contemporary decoration and furniture. A real hit. We’ll soon display some of them in our e.catalogue.

Visiting Gubbio is a must for its art and traditions.
Situated in the very heart of Umbria, the historical centre of Gubbio is a concentrate of Italian art history, from Roman Empire through Middle Ages to the Renaissance.
And if you happen to be in Italy in May, don’t miss its famous palio, the Corsa dei Ceri, a spectacular run held every year on May 15, in which three teams, devoted to S. Ubaldo (the patron saint of Gubbio), S. Giorgio, and S. Antonio, run through throngs of cheering supporters (clad in the distinctive colours of yellow, blue and black, with white trousers and red belts and neckbands), up much of the mountain from the main square in front of the Palazzo dei Consoli to the basilica of S. Ubaldo, each team carrying a statue of their saint mounted on a wooden octagonal prism, similar to an hour-glass shape 4 meters tall and weighing about 280 kilograms.

A celebration like the Corsa dei Ceri is held also in Jessup, Pennsylvania.

The race celebrates Gubbio, its heritage and deeply rooted traditions. It’s not surprising then that its symbol is a ceramic pitcher, the Brocca dei Ceri. At the beginning of the Corsa, the team captains, the Capodieci, climb atop the cross-members of the Ceri holding the Brocche. They swing them, then throw them in the middle of the crowd. As soon as the Brocche smash, people rush over to pick up a ceramic shard, as it is good luck for the entire year!Gubbio ceramics - Brocche dei Ceri by Ceramiche Rampini

We do not feature the Brocche at thatsArte.com, but we’ll be happy to have your Saint’s Brocca hand made for you by Ceramiche Rampini, one of the ceramicist who have been paid the honor to make the Brocche for the Corsa dei Ceri in Gubbio.


For information about sizes and prices contact us
Our Free Personalization service also applies to the Brocche, as well as our Special Order policy

 
Below some highlights from our choice of Gubbio ceramics:

Gubbio ceramics - Dinnerware set by Ceramiche Rampini
Gubbio ceramics - Serving bowl by Ceramiche Rampini

Gubbio dinnerware by Ceramiche Rampini

Gubbio serveware by Ceramiche Rampini

Gubbio ceramics -  Canisters by Ceramiche Rampini Gubbio ceramics - Wall plate by Ceramiche Rampini

Gubbio kitchenware by Ceramiche Rampini

Gubbio pottery by Ceramiche Rampini

Gubbio ceramics - Wall plate by Ceramiche Magnanelli Gubbio ceramics - Footed jar by Ceramiche Magnanelli

Gubbio pottery by Ceramiche Magnanelli

Gubbio pottery by Ceramiche Magnanelli

 

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