Art through Fire – Luca Schiavon in Todi

April 4 – Mid June, 2009
Todi – Italy

Italian Ceramics - Work by Luca Schiavon - Photo Credits: www.exibart.comNo words need to be spent on the beauty of Todi, an old town nested on a steep hill not far from Perugia,  in Umbria. These days, however, there is one more reason to plan a visit to Todi: a fascinating combination of art and good food, meant to provide enjoyment to all the senses.

The main characters of the experiment are a restaurant, hosting the exhibition “Art through Fire”, an art gallery organizing the event and the outstanding ceramic works by Luca Schiavon.

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Andrea Della Robbia and his successors

Italian Ceramics - Annunciation (detail) by Andrea della Robbia (ca. 1490), Staatliche Museum, Berlin - Photo credits: www.mostradellarobbia.itIn 1471 Luca della Robbia bequeathed his successful factory to his nephew Simone. He didn’t trust Andrea (1435-1525), whom he believed too concentrated on getting the highest revenue from the family business.

Actually, he was more or less right, if we consider that after his death Andrea massively increased the production of glazed terracotta. However the quality of the pieces did not suffer
much from it. At least in the beginning.

Andrea was a very good artist with a businessman approach to what he considered the family “company”: he increased the number of subjects so as to please both Catholic institutions and laical Customers who favored his glazed terra-cotta, that – if not cheaper than marble – was by far easier to ship and install.

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Luca Della Robbia

Italian Ceramics - Madonna and Child by Luca della Robbia (c. 1475), Widener Collection - Photo credits: National Gallery of Art - USAThe story of the Della Robbia family begins in 1441-2 when Luca della Robbia, a cultivated and bright minded man, developed a new technique that would allow him to blend the magic of painting, sculpting and pottery making into a brand new form of artistry: the Architectural Ceramic Art.

His family was very well known in Florence for their textile business, which is somehow connected with the origin of their name: Della Robbia comes from Rubia (madder), a plant used in ancient times as a vegetable red dye for textile dyeing and for painting.

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Della Robbia: Technical Innovation and Creative Genius

Italian Ceramics - Cappuccini Tondo by Luca della Robbia (1475-80), Bargello Museum, Florence - Photo Credits: www.scultura-italiana.comAccording to Giorgio Vasari (1511-1574), the famous biographer of Renaissance painters, sculptors and architects, Luca della Robbia’s technique was so revolutionary that he’d be praised for it for many centuries to come. He explained how it was not such a hard work to make a clay sculpture and the only reason why clay had not been used much so far was that it could not be preserved over time. Luca, after many experiments, managed to invent a special mixture of minerals. This glaze, used to coat the sculptures before the firing in a suitable kiln, would make them almost eternal.

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Lucerna Circus – A Ceramic Oil Lamp Exhibition

February 7-17, 2009
Perugia – Italy

Frezzini&Zaganelli - Circo Lucerna e Romeo il clown - 2008Each year the Lungarotti Foundation harnesses the creative forces of important Italian artists to offer a new, creative vision of the oil lamp and its flickering light that accompanied the life of people for many centuries. Oil lamps have been used in Italy until the end of World War 1. They were usually made of clay and burned olive oil, that neither smells nor smokes.

This year the project was assigned to Stelio Zaganelli e Cristina Frezzini, two young designers from Umbria, assisted in the making of their works by the School of Ceramic Art Romano Ranieri in  Deruta.
In a brilliantly creative association of ideas, they have jumped from the magic of the olive tree and oil – almost sacred in Italy – to the magic of the Circus.

Inspired by the atmosphere of poetry surrounding the 19th century Circus, so close to human virtues and vices, their large ceramic oil lamps/sculptures represent the key characters of the Lucerna Circus:

Sissi, the slender and elegant dancer, always in the limelight, desperate for a loving soul to share her destiny with;

Filo, the slim funambulist, continuously challenging his records but depending on drugs to keep his pace steady;

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Italian Clay Art: Brunelleschi’s Madonna first time on exhibit

Dec. 15, 2008 – Feb. 28, 2009
Firenze – Italy

Italian Ceramics - Madonna di Fiesole - Photo credits: www.corriere.itAn adorable clay sculpture of the Madonna with Child recently attributed to Filippo Brunelleschi (1377-1446) will be on exhibit for the first time through Feb. 28th, 2009 in the Opificio delle Pietre Dure in Florence.

The terracotta bust portraits a young woman with downcast eyes, deep in thought. She gently holds her baby, who leans on her shoulder with profound trust and intimacy, interlocking his legs with her arms.

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